Ryuichi sakamoto vinyl trial#

In the retrospect, it was a meaningful time to get to understand further about each other, before that event we three didn't really have that active communication. Just by talking about how the camera is, how the streaming is, I felt like it gives me power. I gained lots of energy to move forward while meeting people who were in the same shoes. Things were still on pause, and the pain was roaming in the air. and two other clubs in Seoul, Faust and Volnost joined forces and made a VFV Club project. I don't know how many times one gets to experience such a special gift, I still haven't figured out how I can pay them back. in_vurt by Arcing SeasДЄlex from Cassegrain released an album called with many other artists, and they donated the sales revenue. When we were having such a big difficulty without receiving any financial support or aid from the government, many local and international artists helped us. Last year, the Korean government started to shut down clubs officially, and even before several months from that point, we were advised(morel like coerced) to keep shutting down. Like every other club in the world at the moment, vurt. How has vurt been impacted by the past few years? And what do you see as the future of clubs in this new world? We keep the olds, welcome the new, and bridges various generations and their knowledge and experiences. wants to make everything possible, developing and realizing pure music that hold each one's character and identity. I felt strongly that we are in need of a venue that DJs can build up their musical style through experiences, experiments and improvements. Superficiality was the only dominating concept, wearing the mask of the underground.

Ryuichi sakamoto vinyl trial#

DJs were asked to compromise our musical direction that could have been related to the revenue of clubs, and new trial and challenges were not accepted. Before opening vurt., I often felt there's a systemic problem that DJs cannot improve their music with their own identity. is a crew that seeks the pure spirit of underground culture and timeless electronic music. Suna - First of all, I feel very grateful to have an opportunity to take part in 9128.live, I enjoyed working on it.Д¬an you tell us a bit about yourself and your role at vurt? It was one of my favorites from the 9128.live Affin takeover! As part of the infamous club vurt, Suna can often be heard as part of the lineup gracing the infamous concrete bunker with her carefully crafted ambient sets, of hypnotic deep techno, or just as busy running things behind the scenes.ДЄSIP - Thank you, Suna, for allowing us to republish this mix. Her set for this takeover was spellbinding, and I was obliged to ask Suna to present this mix once again for the isolatedmix series, for even more people to enjoy.ДЇor those who are new to Suna, she plays a crucial part in the burgeoning electronic scene in Seoul - one I have heard amazing things about but yet to experience.

Д«ased in Seoul, Suna made her first appearance in our world for the Astral Industries 9128.live takeover over a year ago, and was then invited back by Joachim Spieth for the Affin takeover earlier this year. One of those artists who ticks both these boxes is Suna.

Pre-order Cendre here ahead of its 15 October release, and revisit our guide to Ryuichi SakamotoвЂ™s Cinematic Storytelling Through Sound.So many of the sets that have been a part of 9128.live these past few years have been outstanding, and some artists have even been able to make a couple of appearances across multiple takeovers. The forthcoming vinyl edition of Cendre follows t he release of SakamotoвЂ™s Minamata score in July. Sakamoto would also send on piano compositions, with Fennesz responding to his works, too. While creating separately, Fennesz would send Sakamoto a guitar or electronic track and Sakamoto would compose his piano piece accordingly. During this period, the pair would also meet for live shows, or communicate digitally to compare notes, ideas and develop themes. According to the albumвЂ™s notes, the pair then united in New York for the mix in February of that year. The 11-track project will be released on wax this October via Touch, 14 years on from its initial release.Д¬endre was recorded between 20, with Sakamoto working in New York and Fennesz in Vienna. Ryuichi Sakamoto and Christian FenneszвЂ™sВ 2007 album Cendre is being pressed onto vinyl for the first time. The collaborative album will be released on vinyl this October.